Foss and cindy l. Griffin In this essay, Kenneth Burke's rhetorical theory, as an exemplar of a mainstream rhe- torical theory, is juxtaposed with that of Starhawk, as an exemplar of a feminist rhetori.
According to Sonja K. Foss, author of the brilliant book, Rhetorical Criticism: Exploration and Practice, there are four steps to doing effective rhetorical criticism: Select an artifact to evaluate; Analyze the artifact with one or multiple rhetorical criticisms and analyses in mind.

Foss Rhetorical Criticism Pdf
Rhetorical Criticism Sonja Foss
Rhetorical Criticism Sonja Foss Pdf

Karlyn Kohrs Campbell and Thomas R. Burkholder, Critiques of Contemporary Rhetoric, 2nd edition. (CB) Foss, Sonja K. Rhetorical Criticism, 2nd edition. (Foss) Packet, available from UNI's copy services, located in the basement of the library. Graduate students also are required to read: Nothstine, William L., Carole Blair, and Gary A.

In the second half of this chapter we would like to discuss a close associate to rhetorical theory—rhetorical criticism. To explain this exciting subdiscipline we will discuss the scope of rhetorical criticism, the purpose of this method, the kinds of knowledge produced, and the relationship between rhetorical theory and criticism. We will conclude with examples of how rhetorical criticism seeks to answer contemporary socio and political concerns.

Foss Rhetorical Criticism Pdf

Rhetorical criticism is an epistemology or way of knowing many scholars find effective in coming to an understanding about the communication process and the artifact under study. (An artifact or text is simply the thing that the critic wants to learn about. Artifacts can be, for example, speeches, songs, sermons, films or works of art.) Think about a speech you have heard that was very moving and inspirational. At its conclusion perhaps you wondered, “I know that was a great speech, but why”? Or perhaps a visit to the Vietnam Memorial in Washington, D.C. inspired the question, “How did the artist take a controversial subject (the war) and memorialize it in a way that diffuses the controversy”? Or maybe you are a fan of the show South Park. You recognize that there are jokes that make fun of particular groups of people such as ethnic and racial minorities that could be labeled “racist.” Yet, you do not believe that the overall point or message of this program is to espouse a racist agenda. So, what is going on with this show that allows it to contain some of its racial message? These are the types of questions that rhetorical criticism can answer.

Scope

While there is general agreement among rhetorical scholars that criticism is an appropriate method of study, there are differing opinions about why and how it contributes to an overall understanding of rhetoric. Depending on the rhetorical critic, the assumptions about rhetorical criticism vary. As a way of uncovering some of the various assumptions scholars bring to this method of inquiry, we will look at the various definitions of criticism and rhetoric and what is considered within the scope of rhetorical criticism.

To Persuade?

We can begin to see the relationship between rhetorical theory and criticism when we examine the beginnings of criticism. Pay attention to the shared qualities and assumptions. In an early (1925) essay on rhetorical criticism, the study of rhetoric was limited to that of speakers and speeches, and included a number of points to which the critic should attend: speaker’s personality, speaker’s public character, audience, speaker’s leading ideas, motives, topics, proofs, judgment of human nature, questions considered, textual authenticity, arrangement, mode of expression preparation, delivery, style, effect on audience, influence on the time (Wichelns). With this broad agenda for critics, Wichelns failed to provide them with a method to accomplish these goals. His essay was influential in that it lead to an exclusive focus and assumption that criticism was to be centered on oral rhetoric. Hopefully, you can see how this parallels the focus of rhetoric in the classical period.

Other scholars tried to fill in some of the gaps of this early essay. Ewbank tried to broaden the scope in 1931 by performing “case studies” where the critic wrote from personal experience derived from witnessing the speech. He looked at the audience’s immediate reactions and the effect of the speech on them. Hunt (1935) said the critic should be focused more on values and less on performance of a work. He wanted critics to make value judgments but gave no definition of such. Bryant (1937) was the first person to question the exclusive focus on “great” individuals. He wanted a focus on social forces or movements and thought forces and figures should be studied together. Booth expanded rhetoric to include novels, plays, editorials and songs.

Of the more recent critics, Cathcart says “rhetoric is used . . . to refer to a communicator’s intentional use of language and other symbols to influence or persuade selected receivers to act, believe, or feel the way the communicator desires in problematic situations” (2). Of criticism he says it is “that special form of communication which examines how communication is accomplished and whether it is worthwhile. . . Criticism is thus the counterpart of creativity” (3). Imbedded in these definitions are Cathcart’s assumptions that only messages that are intended are within the scope of study. Such messages are designed to change the listener or the situation in some way, presumably to solve the problematic situation. This implies that the rhetor knows how to solve the problem and believes that he or she has the best solution. The requirement of a “problematic situation” narrows the scope considerably as does Cathcart’s examples of rhetoric—public discourse such as speeches, essays, interviews, and slogans (2). Thus, for Cathcart, a rhetor comes to the problematic speaking situation with his or her solution based on what he or she believes the audience needs to resolve the conflict. Criticism is used to assess whether the rhetor was successful in persuading the audience to accept the solution and the strategies used to gain such acceptance.

Sid meier's pirates ps3. Black in Rhetorical Criticism, defines rhetoric as, “discourse that aims to influence” (17). Criticism then, “is a discipline that, through the investigation and appraisal of the activities and products of men, seeks as its end the understanding of man himself. . . .rhetorical criticism is the criticism of rhetorical discourse” (9, 10). Here, Black offers and suggests a broader scope than Cathcart. Rhetoric is not limited to solely problematic situations; thus, it does not assume that the rhetor has a solution for the audience. Like Cathcart, he assumes the rhetorical goal is to influence and persuade and is concerned with the strategies that are most effective; scholars look at “what he says and how he says it” (17).

Many other critics assume the intent to persuade as the natural goal of rhetoric and focus on the strategies for doing so. Stewart says rhetorical criticism is “the study of man’s past attempt to change the behavior of fellow man, primarily through verbal symbols” (1). Brock and Scott claim rhetoric may be defined as the human effort to induce cooperation through the use of symbols” (6). By reading about the various definitions and assumptions of rhetorical criticism we hope you can begin to see a relationship between some of the early definitions of rhetorical theory (as persuasion) and how that impacted the development of rhetorical criticism.

Or Not to Persuade?

The definitions offered by Foss, however, suggest at least two different assumptions. She defines rhetoric as “the action humans perform when they use symbols for the purpose of communication with one another” (4). Like other theorists and critics, Foss is concerned with symbolic action, however, she does not assume that the sole propose of those symbols is to persuade others. Rhetoric may be intended to persuade, but it may also be “an invitation to understanding”: an offer to others to see our world the way we do, not in the hope that they will change, but that they will understand (5). At other times rhetoric may be used for self-discovery, to bring people together, or entertainment. With the focus on communication as understanding rather than persuasion, Foss offers critics a broad scope for the study of rhetorical discourse.

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Rhetorical Criticism Foss